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hello! theme by cissysaurus

new Tropical Body

stream/purchase:
Alistair’s Collage For Morning by Tropical Body

Tropical Body & Dealing split via Ascetic House.Art by Matthew Bellosi.

Tropical Body & Dealing split via Ascetic House.

Art by Matthew Bellosi.


A while back, me and Dan Svizeny from Cough Cool had this project called Scissoring, where we just got weird. We put out a cassette on No Kings, then this cassette on Skrot Up, and we’re actually still sitting on our final (and best) piece of work, which will finish out our trilogy and everyone can shit on their own heads and fuck off and all that. 

Here’s this one, No Dreams / No Regrets. You can stream this, download it, or buy a physical copy, I believe there’s like 9 left or something.

This track will be included on a split cassette I’m doing with Dealing for Ascetic House. Four tracks from myself and 1 long burner from Dealing.

http://williamcodywatson.tumblr.comStarted this to keep some sort of catalog of releases, with reviews and purchase/streaming options. I’ll add to it as a I have more free time and patience.

http://williamcodywatson.tumblr.com

Started this to keep some sort of catalog of releases, with reviews and purchase/streaming options. I’ll add to it as a I have more free time and patience.

RE-UP Personal copies of the Bill Murray LP up for sale. Click the paypal link to order it. $10 + shipping. I have also made basically everything at my bandcamp available for purchase in any format you’d like. High Quality, 2013 futuristic shit. Including this new shit.

RE-UP

Personal copies of the Bill Murray LP up for sale. Click the paypal link to order it. $10 + shipping.

image

I have also made basically everything at my bandcamp available for purchase in any format you’d like. High Quality, 2013 futuristic shit. Including this new shit.

You can now purchase almost everything that’s on my bandcamp. High-quality wav, flac, or mp3 files. Whatever the fuck a flac is. Not tape rips, original source audio type shit. There’s some stuff that was super limited edition, that you can totally own (digitally) if you’re into that kind of shit. It’s all there. You can stream it, see what you think, then give me money. 

You can now purchase almost everything that’s on my bandcamp. High-quality wav, flac, or mp3 files. Whatever the fuck a flac is. Not tape rips, original source audio type shit. There’s some stuff that was super limited edition, that you can totally own (digitally) if you’re into that kind of shit. It’s all there. You can stream it, see what you think, then give me money. 

My new mix for Workin’ Nights… Tim Hecker, Fleetwood Mac, Rene Hell, Cult Ritual, Rapeman, Guru Guru, more.  Dedicated to the love, trust, and devotion found in a beautiful sadomasochistic relationship.

My new mix for Workin’ Nights… Tim Hecker, Fleetwood Mac, Rene Hell, Cult Ritual, Rapeman, Guru Guru, more. 

Dedicated to the love, trust, and devotion found in a beautiful sadomasochistic relationship.

Personal copies of the Bill Murray LP up for sale. Click the paypal link to order it. $10 + shipping. I have also made the digital versions of Bill Murray, Her Tusk Was Adorned With Rose Petals, and Arkansas available for purchase on bandcamp. High-quality downloads for $6.

Personal copies of the Bill Murray LP up for sale. Click the paypal link to order it. $10 + shipping.

image

I have also made the digital versions of Bill Murray, Her Tusk Was Adorned With Rose Petals, and Arkansas available for purchase on bandcamp. High-quality downloads for $6.

William Cody Watson, “A Lamb”

This is a preview of my track from an upcoming La Station Radar compilation. 

(Source: archive.org)

More Gremlynz material, On Pagan Frost — this was the last stuff I ever recorded under the name — I think. Can’t be positive. The image is some shit I stole from the net, some drawing of Dead from Mayhem, that I edited. 


More Gremlynz material, On Pagan Frost — this was the last stuff I ever recorded under the name — I think. Can’t be positive. The image is some shit I stole from the net, some drawing of Dead from Mayhem, that I edited. 

The first Gremlynz tape I ever did. Released back in 2009 on Dial Square. Image via Bummer.


The first Gremlynz tape I ever did. Released back in 2009 on Dial Square. Image via Bummer.

Bill Murray review up on Tiny Mix Tapes.

I fell in love.

New review of the Bill Murray record from A Closer Listen… “…William Cody Watson has made a whole record dedicated to the man himself, which is heavy on static-filled rainfall, haunted organ drones and steers clear of any Bobby Brown-style raps concerning the plot of Ghostbusters II. Divided into eleven segued movements over two sides of vinyl, Bill Murray is full of powerful and gorgeous atmospheres, with just enough grit to maintain attention, rather than drifting along in the corner like innumerable underwhelming ambient works. The movements themselves are helpfully titled along the lines of “Burning Cloud”, “Warm Neck” and “Lost Again, Demon” which in theory could all be about Ghostbusters, but the somewhat melancholic sweep of the ambience suggests that the music is more inspired by the Bill Murray seen in Sofia Coppola’s movies rather than Caddyshack. Perhaps I’m just not dialled into Bill enough, but I’m having a bit of a struggle understanding the artwork and tying the music in with the man. But whether or not specific films were used as inspiration doesn’t feel a relevant issue; Watson is simply trying to capture the essence of Bill.” continue

New review of the Bill Murray record from A Closer Listen…

“…William Cody Watson has made a whole record dedicated to the man himself, which is heavy on static-filled rainfall, haunted organ drones and steers clear of any Bobby Brown-style raps concerning the plot of Ghostbusters II. Divided into eleven segued movements over two sides of vinyl, Bill Murray is full of powerful and gorgeous atmospheres, with just enough grit to maintain attention, rather than drifting along in the corner like innumerable underwhelming ambient works. The movements themselves are helpfully titled along the lines of “Burning Cloud”, “Warm Neck” and “Lost Again, Demon” which in theory could all be about Ghostbusters, but the somewhat melancholic sweep of the ambience suggests that the music is more inspired by the Bill Murray seen in Sofia Coppola’s movies rather than Caddyshack. Perhaps I’m just not dialled into Bill enough, but I’m having a bit of a struggle understanding the artwork and tying the music in with the man. But whether or not specific films were used as inspiration doesn’t feel a relevant issue; Watson is simply trying to capture the essence of Bill.”

continue